Bio

Roxanne Wolanczyk’s work continues a lineage she was born into. Raised in the downtown New York art world of the 1970s by second-wave feminist artists, she grew up amid the ideals of the Feminist Art Institute, where her mother was an educator. Immersed in that environment, Wolanczyk absorbed the values of feminist pedagogy, symbolic language, and spiritual inquiry that continue to inform her work. Educated at Pratt Institute in the 1990s, she developed her practice within a climate that bridged feminist art’s legacy with new explorations of identity. In addition to her studio practice, Wolanczyk works as a psychotherapist, a role that deepens her engagement with consciousness, transformation, and the complexities of the human condition.
Wolanczyk earned her BFA in Sculpture from Pratt Institute and her Master of Social Work from Hunter College. Her work has been featured in group exhibitions at venues including the Brooklyn Museum of Art, the Bronx Museum, the New York State Museum, and galleries such as Pierogi, PS122, and Art in General, and most recently at the Wassaic Project. It has been reviewed by Robert C. Morgan for Tema Celeste and noted on several occasions in The New York Times. Wolanczyk has also received funding from the New York State Council on the Arts.
Gallery Exhibitions
Plus 1.2 | Peep Space | 2025 |
So It Goes | Wassaic Project | 2025 |
Roots and Visions | Ernest Rubenstein Gallery | 2025 |
Panopoli | Ernest Rubenstein Gallery | 2023 |
First, Second, and Third Person | Pierogi | 2020 |
New Tales of Our Age | Visual Arts Center of New Jersey | 2009 |
Make Believe | Jersey City University Gallery | 2009 |
Happily Ever After | Canco Lofts, Jersey City | 2007 |
The Princess Series | The Phatory, NYC | 2006 |
The Right Light | The Lab Gallery, NYC | 2005 |
Intimacy | Brooklyn Fireproof | 2004 |
Digital Boundaries | Columbia University, NYC | 2004 |
Annie Herron Selections | Carlsbad Museum | 2004 |
Recession | Cynthia Broan Gallery | 2003 |
Cat Calls | The New York City Urban Experience Museum | 2002 |
Grand Opening | Panorama City, Zurich, Switzerland | 2002 |
Cool | Cynthia Broan Gallery | 2001 |
Grrls | UntitledSpace, New Haven | 2001 |
Spelling | Rye Art Center | 2001 |
Meat Market | Pierogi 2000 | 2000 |
Selections | Eyewash | 2000 |
Summer Reading | Eyewash | 2000 |
Super Duper New York | Pierogi 2000 | 2000 |
Threads | Art Source, San Francisco | 2000 |
Oli's Imbiss | 4 Walls - Berlin, Germany | 1999 |
Crest Hardware Show | Brooklyn, NY | 1999 |
Surface Tension | Art in General | 1999 |
Flatfile | KHaus - Vienna, Austria | 1998 |
Crest Hardware Show | Brooklyn, NY | 1998 |
New York State Biennial | The New York State Museum, Albany | 1998 |
Current Undercurrent | The Brooklyn Museum of Art | 1997 |
New York Drawers | Gasworks Gallery - London, England | 1997 |
Know New York | Elizabeth Leach - Portland, Oregon | 1997 |
White | Annie Herron at The Art Exchange | 1997 |
Suture | Rotunda Gallery | 1997 |
Artist in the Marketplace | The Bronx Museum | 1997 |
Domestic Violence | PS122 Gallery | 1996 |
Cycle | HERE Gallery | 1995 |
Pumpkin Eater | HERE Gallery | 1995 |
collectionrecollection | Queensborough Community College | 1995 |
Subway Installations | N train, New York City | 1993 |
Online Exhibitions
Platform for Art Online | London, England | 2004 |
javamuseum’s Perspectives’03 | Sofia, Bulgaria | 2003 |
Arte Digital Rosario | Rosario, Argentina | 2003 |
Lancaster Film & New Media Festival | Lancaster, UK | 2003 |
Zeroglab Nanofestival | Rotterdam, Netherlands | 2003 |
Reviews & Publications
Narrative Clay Today | Society of Arts and Crafts | 2024 |
Issue 21 | Live Mag | 2024 |
Princess Series | by Byrony Roberts for The L Magazine | 2006 |
Concepts by Hand | by Robert C. Morgan for Tema Celeste | 2002 |
Cool | by Holland Cotter for The NY Times | 2001 |
A Show of Works... | by D.Dominick Lombardi for The NY Times | 2001 |
Surface Tension | by Grace Glueck for The NY Times | 1999 |
Crest Hardware Show | by Sarah Schmerler for Time Out NY | 1998 |
Domestic Images From Young Talent | by Holland Cotter for The NY Times | 1997 |
Common Threads | by Ellen Lubell for The Star Ledger | 1997 |
Curatorial Essay - Tear Catchers | by Linda Wientraub for the NYS Biennial | 1997 |
Awards & Residencies
Penland Residency | 2026 | |
The Experimental Television Center's Finishing Funds | New York State Council on the Art | 2003 |