Bio
Roxanne Wolanczyk, born in 1971 and raised by artist parents in Lower Manhattan, completed her BFA in Sculpture at Pratt Institute in 1994 and her Master of Social Work at Hunter College in 2011. Her work has been featured in group exhibitions at venues including The Brooklyn Museum of Art, The Bronx Museum, and The New York State Museum, as well as galleries like Pierogi, PS122, and Art in General. It has been reviewed by Robert C. Morgan for Tema Celeste and mentioned by Holland Cotter, D. Dominick Lombardi, and Grace Glueck in The New York Times. Wolanczyk has also received funding from The New York State Council on the Arts.
Gallery Exhibitions
| So It Goes | Wassaic Project | 2025 |
| Roots and Visions | Ernest Rubenstein Gallery | 2025 |
| Panopoli | Ernest Rubenstein Gallery | 2023 |
| First, Second, and Third Person | Pierogi | 2020 |
| New Tales of Our Age | Visual Arts Center of New Jersey | 2009 |
| Make Believe | Jersey City University Gallery | 2009 |
| Happily Ever After | Canco Lofts, Jersey City | 2007 |
| The Princess Series | The Phatory, NYC | 2006 |
| The Right Light | The Lab Gallery, NYC | 2005 |
| Intimacy | Brooklyn Fireproof | 2004 |
| Digital Boundaries | Columbia University, NYC | 2004 |
| Annie Herron Selections | Carlsbad Museum | 2004 |
| Recession | Cynthia Broan Gallery | 2003 |
| Cat Calls | The New York City Urban Experience Museum | 2002 |
| Grand Opening | Panorama City, Zurich, Switzerland | 2002 |
| Cool | Cynthia Broan Gallery | 2001 |
| Grrls | UntitledSpace, New Haven | 2001 |
| Spelling | Rye Art Center | 2001 |
| Meat Market | Pierogi 2000 | 2000 |
| Selections | Eyewash | 2000 |
| Summer Reading | Eyewash | 2000 |
| Super Duper New York | Pierogi 2000 | 2000 |
| Threads | Art Source, San Francisco | 2000 |
| Oli's Imbiss | 4 Walls - Berlin, Germany | 1999 |
| Crest Hardware Show | Brooklyn, NY | 1999 |
| Surface Tension | Art in General | 1999 |
| Flatfile | KHaus - Vienna, Austria | 1998 |
| Crest Hardware Show | Brooklyn, NY | 1998 |
| New York State Biennial | The New York State Museum, Albany | 1998 |
| Current Undercurrent | The Brooklyn Museum of Art | 1997 |
| New York Drawers | Gasworks Gallery - London, England | 1997 |
| Know New York | Elizabeth Leach - Portland, Oregon | 1997 |
| White | Annie Herron at The Art Exchange | 1997 |
| Suture | Rotunda Gallery | 1997 |
| Artist in the Marketplace | The Bronx Museum | 1997 |
| Domestic Violence | PS122 Gallery | 1996 |
| Cycle | HERE Gallery | 1995 |
| Pumpkin Eater | HERE Gallery | 1995 |
| collectionrecollection | Queensborough Community College | 1995 |
| Subway Installations | N train, New York City | 1993 |
Online Exhibitions
| Platform for Art Online | London, England | 2004 |
| javamuseum’s Perspectives’03 | Sofia, Bulgaria | 2003 |
| Arte Digital Rosario | Rosario, Argentina | 2003 |
| Lancaster Film & New Media Festival | Lancaster, UK | 2003 |
| Zeroglab Nanofestival | Rotterdam, Netherlands | 2003 |
Reviews
| Princess Series | by Byrony Roberts for The L Magazine | 2006 |
| Concepts by Hand | by Robert C. Morgan for Tema Celeste | 2002 |
| Cool | by Holland Cotter for The NY Times | 2001 |
| A Show of Works... | by D.Dominick Lombardi for The NY Times | 2001 |
| Surface Tension | by Grace Glueck for The NY Times | 1999 |
| Crest Hardware Show | by Sarah Schmerler for Time Out NY | 1998 |
| Domestic Images From Young Talent | by Holland Cotter for The NY Times | 1997 |
| Common Threads | by Ellen Lubell for The Star Ledger | 1997 |
| Curatorial Essay - Tear Catchers | by Linda Wientraub for the NYS Biennial | 1997 |
Awards
| The Experimental Television Center's Finishing Funds | New York State Council on the Art | 2003 |